A response from the editor

When I wrote my column “Catcalls and harassment: the antithesis of charming and funny,” the only person I thought I might offend was the man I described as making an offensive comment to me after I took a spill on some ice.

I attempted to accurately depict my emotions and the events that occurred in my piece as descriptively as possible. I elaborated on my clothes, what I was carrying and how I was feeling to place emphasis on the way a negative comment from someone affected me, and in the process I learned an important truth.

Despite some of our differing views, Alyssa Long taught me a very valuable lesson in her well thought-out letter to the editor. I was trying to set a scene for my main point, but in the process I distracted readers from my true intention of emphasizing the dangers that can occur for women victims of sexual harassment. Although I never would have thought of it myself, Long makes the strong point that my indulgence in describing my material possessions portrays an image of a classist mindset. It never occurred to me that someone would take that idea away from my editorial, and that is exactly the problem.

We might not always realize the implications of our words, which is why we must make a conscious effort in monitoring them and taking precautions that they do not misconstrue our true meaning. It’s a hard pill to swallow when you offend someone despite your innocent intentions, but it is also a learning opportunity not to be taken for granted. The realization of potential arguments that our words can inspire is a crucial development in conditioning our writing technique, and I appreciate Long’s perspective and her courage to speak on an issue I was ignorant to ignore.

Catcalls and harassment: the antithesis of charming and funny

If you know me, you know I love shoes.

I never discriminate against a cute pair of high top sneakers or turn down an opportunity to wear five inch heels. I have about 109 pairs, and my collection continues to grow.

The Transcript’s editorial staff and I lay out the paper every Tuesday, and because I operate under the look-good-do-good principle, I always dress up on Tuesdays so I stay in work mode. Dressing well makes me most confident and keeps me constantly alert, and for me, dressing well equates wearing nice shoes.

That is why this morning en route to Phillips Hall to get the paper ready for all the editors coming in to lay out their pages, I was wearing a pair of Zara Italian leather booties with a two-inch heel. The treacherous ice sheet that has become the residential side of Ohio Wesleyan’s campus did not welcome the leather soles warmly. As I exited Hayes Hall to walk to my car, I carefully watched my feet as I walked down the exit ramp.

I told myself “Ellin, you cannot fall. If you fall you will ruin your whole day. You cannot afford to ruin your whole day. Whatever you do, do not fall.”

I was off the ramp and on to the even icier parking lot when I heard a man whistle at me.

I looked up to see who it was, and the second I stopped looking at my feet I felt my beautiful boots fly into the air. My arms flailed, and my brown leather fringe bag went flying and simultaneously expelled all its contents.

I fell on my thigh and my right wrist. My lipstick was about 30 feet away. Next to it was my wallet, and in the opposite direction were my vitamins, all my credit cards, my phone, my makeup bag and my iPad. My white t-shirt was soaked under my thin leather jacket, and didn’t have time to go inside and change.

Then, the same voice that whistled at me started crackling.

It was someone smoking a cigarette outside of Smith Hall. Instead of coming over to help me, he and his friend laughed and catcalled me. One of them yelled, “Get yourself wet there, sweetie?”

As if it wasn’t enough that I had a long day ahead of me, that I was already running my usual ten minutes late, that my beautiful leather boots now had a massive scuff mark.

As if all of those things weren’t enough, the universe threw in a couple sexist assholes.

I’ll never understand what these men want to accomplish. What do you want me to say?

“Yeah, let me just drop the tens of millions of responsibilities I have to attend to today and we can get it on in the back of your beatup Honda that smells like meth.” Nope.

I didn’t respond, and I was fine. I’m writing this in Phillips Hall with wet clothes and a strong desire to punch someone, but I’m fine.

Unfortunately, this kind of incident does not always turn out okay for women like me.

Let’s take, for example, the 33-year-old women in San Francisco who, Jezebel reported, was stabbed in the face last January when she rejected a man who was sexually harassing her on the street. Or the 15-year-old girl in Chicago whom. the Chicago Tribune reported, was hit by a car and killed after she leapt a from a bus trying to run away from attackers.

These women were not okay. They didn’t just get a wet shirt or a scrape on their hand. Me falling on my butt and getting a late start worked out fine. I still shouldn’t have had to fall because of two jerk guys, but comparing that to being killed or seriously injured by dangerous attackers, I consider myself lucky.

This kind of thing happens every day, and obviously happens here. Apparently, it happens relatively frequently here, too. Just the other day, my best friend was walking to the gym and a male student yelled at her from behind, “Damn girl, I’m going to rape you!”

Not okay. Not in a million years is that ever okay.

If you believe that sexual harassment isn’t serious, that it’s funny, that it’s flattering—you are dead wrong. No one appreciates being treated like a piece of meat in leggings. No one likes to be yelled at the creepy guy from Smith Dining Hall whom you have to ask to make you gluten free pizza upon request.

We have to stop shrugging these incidents off as just “some asshole yelling at you on the street.” It isn’t flattering, and it isn’t funny.

Not every woman is lucky enough to keep walking by that asshole and go on with her day like I did, or like my friend did. We have to remember that.

OWU without Elliott: The untold stories of flooding’s aftermath

Drying out Elliott Hall, one book at a time

Professor of Anthropology, Mary Howard, examines the damage caused by the burst pipe that flooded her office along with the rest of Elliott Hall on Jan. 8, 2014.  Frigid temperatures, in combination with the age of the historic building, caused the pipe to burst. This in turn triggered the building’s sprinkler system.  A pipe above Howard’s office was the source of the leak, causing extensive damage to her personal and professional items.  “I breast fed my babies in this chair, consoled many students in this chair,” Howard said of the lounge chair that became collateral damage of the  Elliott flood.  “But at the end of the day, everyone was safe. I totaled my car last year when I hit a cow, and that was something. This, this is nothing.”
Professor of Anthropology, Mary Howard, examines the damage caused by the burst pipe that flooded her office along with the rest of Elliott Hall on Jan. 8, 2014.
Frigid temperatures, in combination with the age of the historic building, caused the pipe to burst. This in turn triggered the building’s sprinkler system. A pipe above Howard’s office was the source of the leak, causing extensive damage to her personal and professional items.
“I breast fed my babies in this chair, consoled many students in this chair,” Howard said of the lounge chair that became collateral damage of the Elliott flood.
“But at the end of the day, everyone was safe. I totaled my car last year when I hit a cow, and that was something. This, this is nothing.”

When Public Safety Officer Jay McCann walked into the foyer of Elliott Hall the evening of Jan. 8, a waterfall greeted him.

“My first feelings can be described as very emotional,” McCann said. “Here stands the matriarch of our community and the origins of OWU, and she is hurting. It was as if you could feel the pain of the building as you walked through. It was expressed by all those who saw it…..sad day.”

President Rock Jones walked through the building a few hours after the incident was reported, and said the damage he saw was “just devastating.”

“I received a phone call probably around 11 p.m. from Dan Hitchell who broke me the news,” Jones said. “When we saw the extent of the damage, we realized the building had to be closed. There was still a lot of water, but you know, the building and grounds staff worked all night long and did a really terrific job working to dry the building out.”

The flooding that took McCann by such surprise was caused by a pipe in the sprinkler system that burst due to the extreme cold wave, or the ‘Polar Vortex,’ plaguing Delaware and the rest of the Midwest over the last two months. Director of physical plant operations Peter Schantz said the flooding could not have been prevented.

“The fire suppression system functioned per its design,” Schantz said. “Unfortunately, aspects of the design made the system vulnerable to extreme cold weather. It took the severe cold weather caused by the polar vortex event in early January to reveal the vulnerable aspects of the system. We are taking steps to change the system design to prevent this in the future.”

Those steps include immediately checking the status of all of OWU’s water and sprinkler systems. Jones said there is a concern for the buildings on campus, as the cold weather shows no signs of letting up soon. The Corns building has the same sprinkler system as Elliott.

“We are in the midst of another, even longer, cold spell, so they (B&G) are being very diligent in making sure all of our pipes are running, but it’s a very scary time. “

Had Public Safety not initially reported the flooding thus making it possible for the water to the building to be turned off, Schantz said the damage could have been much more severe.

“We estimate the broken sprinkler line released about 12,000 gallons of water per hour,” he said.

Thirty to 90 minutes elapsed before the break was isolated, meaning 6,000 to 18,000 gallons of water cascaded through Elliott.

“The building and contents would have absorbed significantly more water with each additional hour that water was released,” Schantz said.

Because the buildings renovation plan is not completely finalized nor has the total damage been fully assessed, Schantz said it was not possible to disclose just how much it will cost to restore Elliott Hall in full. Hitchell told staff at their January meeting the cost could be $250,000, with the university’s insurance covering all but $50,000, the plan’s deductible.

The renovations for Elliott will not affect the construction on the JayWalk or the restoration of Merrick Hall as those projects are assigned to different contractors, but that doesn’t mean the renovations will move at a quicker pace. According to Jones, delays will surely occur as buildings across the Midwest are experiencing pipe bursts, and increasing the demand for building materials.

“The big issue that could effect us is that there were so many water pipe breaks all across this part of the country that there is going to be a surge in demand for things like carpet and drywall ceiling tiles, and fillers for cracks,” Jones said. “So, there is a significant, sudden need for the hundreds and hundreds of buildings across the Midwest that have suffered from this kind of damage.”

Renovations are already underway, but delays may arise as buildings across the Midwest are experiencing similar problems and increasing the demand for construction supplies.
Renovations are already underway, but delays may arise as buildings across the Midwest are experiencing similar problems and increasing the demand for construction supplies.

Some private universities had as many as 8 buildings with burst water lines, Hitchell told faculty.

Elliott, the oldest building on Ohio Wesleyan University’s campus (OWU), is on the National Register of Historic Places, so all renovations must be carried out in compliance with the registry’s requirements. Jones said although OWU will receive no financial backing from the registry towards the renovations, the administration is dedicated to ensuring Elliott maintains it’s historic appearance.

“We certainly have a strong desire to restore the historic beauty and feel of the building, and during the restorations we will be keeping that mentality,” Jones said. “And, as unfortunate as the flooding is, it is a chance to add some modern amenities to the building. We want to get this fixed as soon as possible, but we also want to take time to make sure we do it right.

“We’ve met with the chairs of the departments to look into improvements for the building…it does give us a chance to make them and make the building better than ever.”

Top photo by Jane Suttmeier; bottom photos by Noah Manskar
Video from Jay McCann

Jones said accommodating the faculty housed in Elliot is one of his biggest concerns. The university relocated the departments of history,  politics and government, international studies, as well as the Historian magazine, to the Stuart Annex and moved the Communications Department has been relocated to 4 Williams Drive, working in what Jones calls “difficult circumstances.”

Despite the difficulty of moving and salvaging office supplies and personal items, Cole Hatcher, director of media and community relations, is staying on the bright side, saying the transition was quick enough that the department lost little to no time getting back to work.

“We haven’t stopped or even delayed any work because of the flooding,” Hatcher said. “Currently, we are working from 4 Williams Drive in space that had been used by the Student Health Center during the Stuyvesant Hall renovation. Former exam rooms are now offices. The space accommodates our full staff and student interns. We’ve been very lucky.”

Upon hearing that no one was injured during the flooding, Hatcher said his immediate concern was for the expensive equipment the department uses on a regular basis.

“I wanted to make sure that our cameras and web streaming equipment survived,” Hatcher said. “And everything did, which also has helped us continue our work. Public Safety was kind enough to verify this for me as the scene was unfolding. We also had many filing cabinets filled with paper documents and photos, but those fared relatively well, too.”

Professor of Anthropology Mary Howard’s office experienced the most devastating of blows, as the pipe bust occurred in her  office’s ceiling. However, she, like Hatcher, is upbeat.

”Change is always challenging for all of us but since life is change, it makes sense to me to just go with the flow,” Howard said. “Besides, based on my observations of national and international poverty, this slight disruption seems pale in comparison to me.”

Howard said the OWU as a whole has been “incredibly kind and caring” in helping her with the transition.

“We owe a large debt of gratitude to the Buildings and Grounds people who must have filled dozens of dump trucks with discarded books and file contents.”

Plié for Peace: OWU joins Delaware community in synchronized global dance event

By Ellin Youse

A & E Editor

For centuries, humans have danced for their desires. We dance for rain, for harvest, for weddings, for coming of age ceremonies, for hope, and for support. As long as there have been human communities, there has been dance. Dance is a means of expression and often, an expression of longing. Last Saturday, the world danced out its longing for peace.

Saturday, Sept. 21, 2013, Earthdance came to Ohio Wesleyan to benefit Main Street Delaware for their work nurturing the Delaware community. There were nine featured performances, including one student group choreographed by senior Katie Sponseller.

Earthdance is a synchronized, multi-location dance celebration aimed at raising money and awareness for various charities. Beginning in 1996, the world’s first Earthdance began, and has since grown into a planetary dance party for peace by affiliating with various international peace events, organizations and companies.

Earthdance is held in over 600 locations in 80 countries and exhibits outdoor trance parties, destination music festivals, public gatherings, concerts, campouts, flashmobs and house parties all connected via social networking sites.  The goal is to allow the music and performance genres to represent their geographic homes, and thus an Earthdance performance can be anything from a belly dance to a dubstep concert.

Despite the diversity of the total Earthdance experience, it does incorporate a Global Link-Up. The events begin with a playing of the Prayer for Peace music track at the same time for all locations, something the Earthdance website calls “a profound moment of shared intention for peace.” The website explains that the link-up is an affirmation of peace on all levels from personal, family, community and nations.

Earthdance is an annual event that has taken place on September 21 for the past 12 years. September 21 is The United Nations Peace Day, a day devoted to commemorating and strengthening ideas of peace between peoples and nations. Earthdance aligned its mission with the U.N. in 1999, and has since partnered with local peace, sustainability or social justice charity to raise profits to support their work.

“After dancing in Earthdance last year I was really excited for the opportunity to choreograph,” Sponseller said. “There are so many talented and diverse groups that represent the movement that they love at Earth Dance. The idea of showing off some of our OWU dancers alongside these groups made choreographing an easy decision.”

Sponseller said it was Earthdance’s unique combination of community and diversity that inspired her while choreographing the dance.

“All of the student dancers that were in my piece represent a different aspect of OWU’s dance community whether they are involved in Orchesis, Terpsicorps, or they just love to dance,” Sponseller said.

On a grander scale, Sponseller said the vast range of cultural performances allows the event to give Delaware an impact that exceeds the social norms of small town Ohio.

“The variety in groups that come to perform is truly incredible,” Sponseller said. “Dancers of all levels are given the opportunity to show their interests and passions through dancing which is an important and beautiful concept throughout the world.”

Professor Rashana Smith said she is grateful that “our tiny town of Delaware” is able to house an event that represents global diversity.

“Earthdance is a real opportunity to think more broadly about the concepts of community,” Smith said. “Dance is about bringing people together, and since this is an event that could have played out in the big city of Columbus, it’s great that Delaware was chosen for its location.”

Sponseller agreed with Smith, saying the OWU and Delaware communities are lucky to hold the event each year.

“I think that holding Earth Dance at OWU is slightly surprising because it has the potential to be a huge event,” Sponseller said. “However, I think that it is great for the Delaware community to hold an event like this one and it also proves that dance is everywhere, not just in big cities.”

Israeli folk dancers, belly dancers, yoga and OWU students and professors all comprised the day’s events, but Sponseller said it was the dance of a local artist that captivated her most of all.

“My favorite dance was performed by Francine Butler who is a teacher at Hayes [high school],” Sponseller said. “She moved beautifully and gracefully, it was a true treat to be able to see her do what she loves.”

Smith said that the emphasis on individual movement represented in Earthdance is quintessential of what dance is in a historical and social perspective.

“Dance is something that not only fixates on self expression and, it brings people together,” Smith said. “I wish more students would participate in the event as it is such a huge opportunity, but I think those students who do perform gain an understanding of what it is like to contribute to something on a global scale.”

 

 

Double Life: Newest addition to dance program takes the stage and students by storm as visiting professor, artistic director

Rashana Smith, Photo courtesy of Communications Department

By Ellin Youse

Arts & Entertainment Editor

Rashana Smith is a loving wife and a new mother to a seven-month-old baby girl. For fun, Smith is an active member of the Ohio Roller Girls’ Gang Green roller team.  She enjoys filmmaking and is a documentary film aficionado, as well as the the owner of an 80 pound Great Pyreneese mix. She’s worked as a freelance dance instructor in Seattle and Texas and received her Masters of Fine Arts from The Ohio State University. Now, she is also the newest addition to Ohio Wesleyan University’s dance department.

Smith joined the OWU community this semester and will be instructing a workshop in Modern Dance, Dance Composition, Technique II and III during the 2013-14 academic year as well as working as the Artistic Director of Orchesis. Although new to OWU, Smith is not new to instructing dance at a university level. Smith has taught at Stephen F. Austin State University in Nacogdoches, Texas, she’s worked at The Ohio State University and Wittenberg University. And while she feels comfortable teaching at a university level because of her past experience, Smith said she feels a real connection to college students because she was one herself when she fell in love with dance.

“I took Ballet and Tap when I was 5-7 years old. And then I played sports. I danced a little bit in a drill team in High School, but it wasn’t until I went to college when I discovered that there was such a thing as Modern Dance and Improvisation,” Smith said. “At the time, I was an art major enrolling in elective courses. I took the standard ballet class and then tried to branch out with something new, which led me to Modern Dance. I was hooked. I changed my major and eventually transferred to University of Texas because it offered a Bachelor of Fine Arts in Dance. After graduation, I continued to dance in Austin with local choreographers before moving to Seattle, Washington where I continued to dance and create work.”

It was in Seattle that Smith developed a love for “all things technology.” Smith said there were no dance programs that directly addressed technology the realms of dance making at that time, so to be able to work in both fields she loved she worked as a technologist during the day and a choreographer, dancer and educator in her free time. After some time living what Smith called a “double life,” she attended The Ohio State University for a unique masters program.

“Eventually, The Ohio State University’s Department of Dance offered a Dance and Technology masters program, which I am pleased to have completed,” Smith said. “I’m happy to be working in the field of dance and incorporating technology as well. I’m also ecstatic to be at OWU where interdisciplinary courses are supported.”

Interdisciplinary courses are just one of many things Smith said she loves about teaching in a liberal arts environment.

“I think I am at my best [in a liberal arts environment]” Smith said. “OWU faculty, staff and students have been very welcoming and generous. The Theatre and Dance faculty in particular have been open to hearing and sharing ideas, which is imperative when developing a dance program.”

As far as comparing OWU to other institutions she’s taught at, Smith said the devotion of OWU students is one quality of the university she finds particularly unique.

“The dance programs of each of the places I’ve taught at are all a little different from each other, so it’s hard to compare,” Smith said. “However, I will say that OWU seems to have a high academic standard of admissions.  I’m impressed with this year’s freshmen. In general, I’m impressed with the level of professionalism, technical skill, work ethic, and knowledge of the OWU students as a whole. I enjoy the students’ sense of curiosity and I find myself evaluating how I can continue to challenge them further. It’s a challenge that works both ways.”

The challenge of progressing her teaching and her student’s perspectives in her work is something Smith says cannot come close to the challenge of time. Smith said that no matter where she’s teaching, time is the one demon she always faces.

“I’m not new to teaching at the university level, but the challenge always remains the same – time,” she said. “I am always concerned with making sure each student gets the most out of their classes with me and this involves hours of preparation and meeting with students and colleagues. I love this aspect of teaching; I just wish I had unlimited amount of time for it.”

The challenge of time proved to be particularly present in the planning of this year’s Orchesis concert. The performance is an annual contemporary dance concert that features the work of students, faculty and guest choreographers that is usually held in the spring. However, due to scheduling considerations for Chappelear’s main stage, the concert will be held in the fall this academic year.

Smith said this year’s Orchesis will include works from five student choreographers, a new piece by dance faculty member Marin Leggat and pieces by Smith herself. Leggat was the artistic director for Orchesis in the past, but as she is on leave this year she left the production in the hand’s of Smith.

“We’re in the midst of intense rehearsals right now and loving every minute of it,” Smith said. “I enjoy working with so many young dancers with different dance backgrounds.”

One of the most exciting aspects of choreographing Orchesis this year was Smith’s ability to organize all 21 dancers into one piece. The production always features one act with a full cast, and Smith’s ability to direct it is one of most exciting honors of the Orchesis season.

“I like seeing these dancers performing as a large ensemble, all the while bringing their individual talents to the stage,” Smith said. “I was completely elated after our last rehearsal.”

According to junior Ben Danielson, Smith isn’t the only elated cast member. Danielson said Smith’s combination of efficiency and playfulness keep everyone in the cast uplifted and motivated.

“It’s ironic to be asked this question because I was just boasting about how wonderful Rashana is,” Danielson said. “She’s an innovative thinker, she’s very organized and I can tell that she’s always keeping us in mind as a group, just to improve our experience in Orchesis. She keeps the rehearsals professional and efficient, but she adds her own flare and quirkiness at the same time. I’m very happy that she’s a part of our company, and she’s done nothing but great things.”