By: Gopika Nair, Assistant Copy Editor
After nearly two months of rehearsals, the Ohio Wesleyan dancers can finally rest their feet.
Students of OWU from the department of theatre and dance have been working toward staging Orchesis, the annual contemporary dance concert, since the first week of classes, said Rashana Smith, the artistic director of Orchesis and a professor in the theatre and dance department.
The show debuted on Nov. 13 on the Main Stage in Chappelear Drama Center. Additional performances were held on Nov. 14 and Nov. 15.
Orchesis featured 24 dancers and comprised eight pieces created by students, faculty and a guest choreographer. The individual pieces explored a variety of themes.
The show opened with âMigrations,â a piece choreographed by Jill Becker, the guest choreographer. Becker created the dance in response to the crisis of migrants fleeing war zones and seeking refuge in the west, according to her program note.
âI am moved and amazed by stories of the risky journeys people are taking in the hopes of having better, safer lives for their families.â
Some other themes that Orchesis explored included depression and the socialization process and its implication on women, which were choreographed by juniors Maddie PresleyÂ-Wolff and Diana Muzina respectively.
In addition to featuring original music, this yearâs Orchesis is also the product of a collaboration between the theatre and dance department and the music department for the first time in years, said Smith.
The show concluded with Smithâs piece, titled âEffort of Interface,â which featured all 24Â dancers.
Junior Trenton Williams, one of the dancers, said he hoped people understood the concepts of each piece.
âNowadays, the rise in technology has made us more connected to our phones than to each other, and I really hope the people who attended Orchesis leave with a sense of awareness of this lack of connection,â Williams said of Smithâs piece.
Sophomore Alexia Minton, choreographer of the piece âSolitude of the Soul,â said part of the appeal of âOrchesis 15/16â was that it invited the audience to contemplate psychological, sociological and political issues.
âI think the greatest challenge I faced throughout the entire process of this show was trusting myself and having faith in my own choreography,â Minton said. âWhen creating anything, sometimes it can be hard to appreciate your own effort/artistry.â
Now that Orchesis has come to an end, Minton said she is thankful for the opportunity to work with and learn from her small cast of dancers.
Williams also said that though Orchesis was demanding, he would consider doing it again next year.
âAt this point, I have sixÂpack abs and strong calves,â he said. âIt was a long experience, but it was definitely worth trying something new.â