Tony meltdowns: A memoir

I’m going to try to be funny, but I can’t promise anything because I can’t stop crying. I cried five minutes ago making notes for this column.  Maybe that’s funny to you. I’m a mess and I need cake.

I’ve been crying about the Tonys every day for the past week. The Tony Awards recognize the greatest achievements of the Broadway season. Some have said the Tonys are like the Super Bowl for theatre nerds. I can’t comment on the accuracy of that comparison because I’m not familiar with the Super Bowl.

I am vaguely aware of Super Bowl commercials and the fact that a minute of advertising time costs millions of dollars because ratings are so high. So I guess the Tonys are not like the Super Bowl at all—ratings for the Tonys are laughably low and every few years executives threaten to pull the telecast from network television. PBS could pick it up, but then Republicans would threaten to defund PBS just to block my gay rights.

I do know that a Super Bowl trophy can’t help you get an EGOT (Emmy, Grammy, Oscar, and Tony).

I’ve mostly been crying because of “Kinky Boots,” a new musical about a drag queen named Lola (Billy Porter) who reinvigorates a shoe factory with sparkling stilettos. Based on that plot description, I avoided the show while in New York for spring break with my mother and aunt. They were perplexed. The flashy billboards all over Times Square boasted a creative collaboration between esteemed playwright Harvey Fierstein and pop-rock sensation Cyndi Lauper.

One afternoon my mother came right out and said, “I walked by the theatre where ‘Kinky Boots’ is playing. Why aren’t we seeing that?”

“Oh, trust me, it’s not going to do well,” I said.

This, ladies and gentlemen, is a lesson in why you should only trust me sometimes. “Kinky Boots” now has the most Tony nominations of the season, 13 in total, and is a major contender for Best Musical, the night’s top prize.

The Tony campaign for “Kinky Boots” has been vigorous and tugs at the heartstrings. My heartstrings are no exception, resulting in tears of regret, shame, and sorrow for not seeing it when I had the chance.

Every time I went to broadwayworld.com this week, the same “Kinky Boots” ad would pop up and I would cry because: a) I can’t stand that the guy doing the voiceover emphasizes the wrong syllable of “Kinky” at the beginning of the video and b) I pompously thought the musical was unworthy of my time.  I hadn’t even heard a full song from the show, yet the ad left me sobbing uncontrollably, a part of me hoping that “Kinky Boots” would sweep the Tonys even though I actually saw (and loved) its strongest competitor, “Matilda.”

Let me be clear: I am not an authority on the Tony Awards. I’ve only seen three of the nominated productions. The rest is merely (obsessive) conjecture. First I saw “Matilda,” based on Roald Dahl’s classic novel. With a book by Dennis Kelly and score by Tim Minchin, the musical tells the story of a five-year-old girl who loves books and mischief, but the adults in her life try to stifle her intelligence. Four actresses alternate in the title role (I saw the dynamite Milly Shapiro), and tonight they will receive Special Achievement Tony Awards for their performances.

While reviews for “Kinky Boots” were only lukewarm, critics loved “Matilda.” New York Times theatre critic Ben Brantley called it “the most satisfying and subversive musical ever to come out of Britain.”

In an attempt to compare the two musicals, I listened to the cast recording of “Kinky Boots” since many consider Cyndi Lauper’s score the show’s strongest element. I was underwhelmed. Maybe all the hype has to do with Jerry Mitchell’s direction and choreography, but I found nothing in Lauper’s songs particularly brilliant. Tim Minchin’s music and lyrics for “Matilda” are much more substantive and sophisticated.

The other two nominated productions I saw were both plays. Christopher Durang’s “Vanya and Sonia and Masha and Spike” is a family comedy about three middle-aged siblings whose parents named them after Chekov characters. Hilarity ensues when Masha (Sigourney Weaver), a B-list movie star, returns home for a visit, yet there is great heart and depth amongst the chaos of this farce. Kristine Nielsen’s uproarious turn as Sonia should earn her the Tony for Best Actress in a Play, but she will probably lose to veteran Cicely Tyson in “The Trip to Bountiful.”

Tom Hanks will likely take the Tony for Best Actor in a Play for his Broadway debut in longtime pal Nora Ephron’s play “Lucky Guy.” The play was an utter disappointment for me, even though I desperately wanted to love it. Ephron, one of my favorite writers, died last summer and “Lucky Guy” is her final completed work. A bio-play about controversial tabloid journalist Mike McAlary (Hanks), “Lucky Guy” is a tribute to New York City and the dying form of print journalism, two of Ephron’s greatest loves. Unfortunately, she tried to infuse journalism in the structure of the play, telling us the story via a chorus of reporters instead of showing us the action. The technique proved boring and the entire play suffered as a result.

Voters could go the sentimental route and award Ephron a posthumous Tony, but her problematic script makes this highly doubtful. Expect Christopher Durang to nab Best Play instead, or even Richard Greenberg for his complex drama “The Assembled Parties.”

Here’s a summary of who will probably get each award, who I think should get it and who might surprise us and take it home.

Best Play

Will Win: Christopher Durang, “Vanya and Sonia and Masha and Spike”

Should Win: Christopher Durang, “Vanya and Sonia and Masha and Spike”

Possible Upset: Richard Greenberg, “The Assembled Parties”

Best Musical

Will Win: “Matilda”

Should Win: “Matilda”

Possible Upset: “Kinky Boots”

Best Revival of a Play

Will Win: “Who’s Afraid of Virginia Woolf?”

Should Win: “Who’s Afraid of Virginia Woolf?”

Possible Upset: “The Trip to Bountiful”

Best Revival of a Musical

Will Win: “Pippin”

Should Win: “Pippin”

Best Book of a Musical

Will Win: Dennis Kelly, “Matilda”

Should Win: Dennis Kelly, “Matilda”

Possible Upset: Harvey Fierstein, “Kinky Boots”

Best Original Score

Will Win: Cyndi Lauper, “Kinky Boots”

Should Win: Tim Minchin, “Matilda”

Possible Upset: Tim Minchin, “Matilda”

Best Direction of a Play

Will Win: George C. Wolfe, “Lucky Guy”

Should Win: Nicholas Martin, “Vanya and Sonia and Masha and Spike”

Possible Upset: Pam MacKinnon, “Who’s Afraid of Virginia Woolf?”

Best Direction of a Musical

Will Win: Diane Paulus, “Pippin”

Should Win: Diane Paulus, “Pippin”

Possible Upset: Matthew Warchus, “Matilda”

I didn’t realize how hot this race was until I looked up the nominees for this category! “Matilda” was one of the most magical nights of my theatergoing life, but based on video clips alone, Diane Paulus deserves a Lifetime Achievement Award for her reconceived, circus-themed revival of “Pippin.” Here’s another clip to show you what I mean:

Best Actor in a Play

Will Win: Tom Hanks, “Lucky Guy”

Should Win: Tom Hanks, “Lucky Guy”

Possible Upset: Nathan Lane, “The Nance”

Best Actress in a Play

Will Win: Cicely Tyson, “The Trip to Bountiful”

Should Win: Kristine Nielsen, “Vanya and Sonia and Masha and Spike”

Possible Upset: Amy Morton, “Who’s Afraid of Virginia Woolf?”

Actor in a Musical

Will Win: Billy Porter, “Kinky Boots”

Should Win: Bertie Carvel, “Matilda”

Possible Upset: Bertie Carvel, “Matilda”

Best Actress in a Musical

Will Win: Patina Miller, “Pippin”

Should Win: Patina Miller, “Pippin”

Possible Upset: Laura Osnes, “Cinderella”

Best Featured Actor in a Play

Will Win: Danny Burstein, “Golden Boy”

Should Win: Danny Burstein, “Golden Boy”

Possible Upset: Courtney B. Vance, “Lucky Guy”

This is Danny Burstein’s fourth Tony nomination, and he deserves this one solely for losing last year for “Follies.”

Best Featured Actress in a Play

Will Win: Judith Light, “The Assembled Parties”

Should Win: Judith Light, “The Assembled Parties”

Possible Upset: Shalita Grant, “Vanya and Sonia and Masha and Spike”

Though I loved Shalita Grant’s performance, Judith Light (“Who’s the Boss” and “Ugly Betty”) is poised to win her second consecutive Tony in this category.  I cried for her last year and I’ll cry for her again.

Best Featured Actor in in a Musical

Will Win: Terrance Mann, “Pippin”

Should Win: Gabriel Ebert, “Matilda”

Possible Upset: Gabriel Ebert, “Matilda”

Best Featured Actress in a Musical

Will Win: Andrea Martin, “Pippin”

Should Win: Andrea Martin, “Pippin”

Andrea Marin, best known as crazy Aunt Voula in “My Big Fat Greek Wedding,” is set to win her second Tony for her role as Pippin’s grandmother, Berthe. In her six-word Tony nomination story, which can been seen here on Facebook, she writes, “never too late to start living!” Weeps people.  Weeps.

The Tonys will air live tonight, Sunday, June 9 on CBS at 8 p.m. eastern. For my live blog of the telecast, follow @ryanjhaddad on Twitter or weepingonwheels.tumblr.com.

Will you still love me even though my screenplay is horrible? A review of Jeff Nichols’s “Mud”

Trying to decide what movie to see last week, my friend and I were left with few options.  I am not a Trekkie.  I don’t do superheroes.  I love Robert Downey Jr., but not when he ‘s covered in iron.  And while I adore Jay Gatsby, I cannot bring myself to watch his demise for a third time in three weeks.

I can’t handle that Gatsby has more beautiful shirts in his bedroom-within-a-closet than I could fit in my entire house.

I can’t handle that I’m attracted to Tom Buchanan even though he’s an absolute tool.

I can’t handle that a poorly timed summer release has cost Leonardo DiCaprio his long-overdue Oscar.

I can’t handle that I am so much like Gatsby, always reaching for the unattainable green light CGIed at the end of the dock.

We settled on “Mud” starring Matthew McConaughey and Reese Witherspoon (well, not starring Reese Witherspoon).  I knew nothing about this movie.  I presumed it was a small-scale indie getting a (sort of) wide release because of the names attached.  Cinematic offerings are generally devoid of intellect in the summer months, so I was hungry for even the tiniest morsel of something truly good.

Last summer I went into “Beasts of the Sothern Wild” knowing absolutely nothing and emerged drowning in a sea of tears.  The masterful meditation on nature and youth took me by surprise, and from the first shots of “Mud”—two young boys riding down a river—it seemed the two films might be similar.

The boys, Ellis and Neckbone (yes, that is his name), stop on what appears to be a deserted island and climb up to what appears to be an abandoned boat hoisted in the branches of a tree.

A boat in a tree.  How did this boat get to the top of this tree?  Who put it there?  Did the person swim off the island?  Did this person drown?  Did this person disappear into the ground?  These questions do not enter the boys’ minds as they rummage through porn magazines in the magical boat.

I can already tell that the five-year-old girl in “Beasts of the Southern Wild” is smarter than both of these boys combined, and they’re more than twice her age.  The actors, Tye Sheridan as Ellis and Jacob Lofland as Neckbone, are strong, but the same cannot be said for the material they’re given. Things are going downhill quickly.

Suddenly Ellis notices a bag of recently purchased food in the boat and exclaims, “Somebody lives here!”

So they leave. Not because they’ve just broken into someone’s boat, but because “it takes twice as long to ride upstream” and they can’t be late getting home. Oh. Okay.

But then—surprise! They find eerie boot prints in the sand and discover the mysterious Boat Man standing on the shore, eyeing their boat.  Boat Man is Matthew McConaughey, and his name is actually Mud.

Mud, as a name, lies somewhere between Boat Man and Neckbone in terms of plausibility.  We never learn why he is called Mud, but covered-in-dirt-because-why-bother-to-bathe-in-the-river McConaughey lives up to the name. Though he makes a valiant effort to disappear into his character through all the grime and sloppy speech, he is still Matthew McConaughey, gorgeous as ever, much more so here than in last year’s Magic Mike, a movie better-suited for his attractiveness.

We are introduced to Mud via a technique used too often in writer-director Jeff Nichols’s screenplay: putting together characters who’ve never met and throwing buckets of exposition at the audience. With no apparent creativity, we are spoon-fed character backstory and description, left with nothing to glean for ourselves about the people onscreen. Intellect? What intellect?

Mud asks the kids to bring him back food, and they do. They don’t ask him why he’s on the island, how he plans to get back to the mainland, or why they should help him; they just accept a promise for his boat-in-a-tree in exchange for their assistance. Sometimes Ellis rides out to Mud by himself in the middle of the night, which doesn’t appear any less stupid in the movie than it sounds here. We’re meant to infer that Ellis is endearingly innocent, but it’s difficult to root for a protagonist who just seems dumb.

Not only is a boat Ellis’s main source of transportation, but he lives on one, too. The houseboat is a major component of his father’s livelihood, but his mother, who technically owns the property, wants it torn down so she can move into town because she “needs a change.” Literally, that’s all the justification she gives for breaking up her family. Ellis expresses his angst by slamming doors and punching walls, all the while riding off to visit Mud, unbeknownst to his so-important parents, in order to escape his crumbling home life.

Mud is far from a stable influence on this child. In fact, Mud is wanted for murder. This surprises Ellis, but I wouldn’t call it a spoiler because, hello, the man is hiding away on an island.

Don’t worry, Mud did it all for Juniper, the love of his life. Mind you, her story is awful and tragic and Mud had every right to defend her; but murder is a bit extreme, and murder causes other people to want to murder you. Specifically the father of the man you murdered, who is wealthy and powerful and scary and says things like, “Let’s have a prayer circle for the death of my son’s killer.”

Neckbone is skeptical about helping Mud escape the police. This redeems his character a bit because it demonstrates that, unlike Ellis, he has some semblance of a brain in his head. Ellis is determined to help Mud find safety. He respects Mud. He idolizes him. Most importantly, he thinks anything done in the name of love is worth fighting for. He agrees to bring Juniper to the island so she and Mud can escape together, and Neckbone helps because he wants to protect Ellis from, you know, death.

Never mind that Juniper is only onscreen for three seconds. Never mind that she is Academy Award-winner Reese Witherspoon and has about as many lines as a mime in a silent movie. Never mind that her character is so underdeveloped it’s impossible to sympathize with her. And never mind that she doesn’t actually care about Mud’s feelings at all.

Ellis has jumped on the love train, in the name of Mud’s love for Juniper, in the name of his own love for a high school girl way too old for him (I can’t even bring myself to delve deeper into that awful subplot), and in the name of the love lost between his parents  Everything is about love. Love. Nothing else matters. Not even when you’re being followed by murderers.

In this sense, Ellis reminds me of Jay Gatsby. How come I so strongly identify with Gatsby, yet I can’t connect with Ellis at all? Gatsby’s one great love, Daisy Buchanan, has broken his heart, but Ellis is far too immature to know what love means. Though the adolescent has never felt real love himself, he is willing to put his life in harm’s way. We just don’t care. Gatsby has earned his delusional dreams. Ellis and his uneven screenplay have not.

“Mud” is now playing in select theatres nationwide.

Sound Off OWU: What are your summer plans?

Sexual violence and patriarchy are men’s issues, too

By Spenser Hickey
Assistant Copy Editor

Reading the story on sexual assault reporting on pages 4 and 5 and the above editorial about two young rape victims, I am reminded again of the double atrocities involved with rape—the act itself and the way we as a society treat those who have survived it after they come forward.

This was never clearer than during and after the Steubenville rape trial, as the teenage survivor—named by several media channels—had to suffer again under an onslaught of threats, or insults, of those who said “she was asking for it.”

Some said because she’d gone to the party and gotten as drunk as she did, she hadn’t really been raped.
That’s one of stupidest arguments I’ve ever heard. It’s a statement so idiotically backward it’s almost comedic, if it weren’t so serious.

By legal definition, the fact that she was so intoxicated means that any sexual act would automatically be rape, because she could not consent. It’s the law.

And yet there were still many who said, on various social media sites, that she was “asking for it.”
It makes me sick just to write that. It’s victim-blaming at its darkest and most vile. It’s also something that’s rarely, if at all, applied to any other crime out there.

Say a man walked out of a bar after having a few too many beers and was robbed at knife point.
Would any one, aside from maybe the thief’s lawyer, try to make the serious argument that it wasn’t really theft because the man was drunk, or maybe he just gave the man his wallet and then regretted doing so and called it a theft afterwards?

Of course not.

And yet those are common arguments held against rape survivors who speak out in court—well, some rape survivors, that is.

Look back at the Jerry Sandusky trial—no one in the media was talking about the negative impact his sentence would have on his life as if it were a tragedy, as they did frequently during the Steubenville trial.

There was no public movement accusing those survivors of lying, or of having brought their assault upon themselves.

Often, many who do not overtly blame survivors for their assaults offer suggestions on how not to be raped.

“Women should avoid dressing like sluts,” one Toronto police officer said in 2011 when asked what could be done to prevent rapes.

The statement led to the Canadian and US SlutWalk movement, held here at OWU the past two years. The movement, often a march, attempts to reclaim the derogatory term while demonstrating that rape is caused by perpetrators, not what survivors were wearing at the time.

It’s a common view that the burden to prevent rape lies with the survivors, not those truly responsible for such acts.

This view is at the heart of the documentary “The Invisible War,” shown recently at Ohio Wesleyan.
The U.S. military, working to stem a sexual assault epidemic within their ranks, focused on PSAs urging women not to walk alone at night and other risk reduction tips.

While these may help to prevent rapes, they do little to address the root cause of the problem, instead perpetuating it by telling women they need to avoid being raped rather than telling men not to rape.
While rape can—and does—happen between all genders and sexual orientations, Department of Justice statistics say 99 percent of reported rapists are male.

It is with us men that the responsibility for preventing rape lies, either by not carrying out such atrocious crimes ourselves or by taking action as bystanders to stop them before they occur.

While ending them for survivors’ sake should be enough of a reason to take on societal ills of patriarchy and rape culture, we men are also harmed by such negative concepts, as they portray us as sex- and control-crazed monsters, void of emotion and ready to rape at any moment.

So what can OWU students—male or female—do to address these problems?

As a start, attend programming: house projects and discussion-based events (such as the recent “It Is My Business” workshop); film showings (like “The Invisible War”) or student performances of “The Vagina Monologues.”

Building from that, go to a club meeting, like Sisters United, or be active as a supporter at Take Back the Night or SlutWalk. It’s an emotional experience but a worthy one, and a step to a better future.

Two rape survivors, two tragic stories

By Elizabeth Childers
Managing Editor

Late last year, when the shocking and unbelievable events in Steubenville, Ohio, came to light, I was conflicted, as I assume many people probably were. What those football players did was wrong, but the victim should have been responsible for herself. Both of these clauses are correct. However, the fact that the victim had poor judgment was no excuse for what happened to her. But, I digress.

After 2013 dawned and we all survived the “Mayan Apocalypse,” two young men were arrested for the sexual assault of this young woman. Though they were minors—ages 16 and 17—I had assumed, due to the type of crime they committed, they would be tried as adults. Imagine my surprise when the judge who regretfully sentenced them sat on the bench in juvenile court—as if their crime was befitting a juvenile.

Why am I reminding you of this uncomfortable moment in recent history? Because this isn’t the only one. When the Boston bombing occurred, the media turned a relatively blind eye to many happenings in other corners of the globe. A fertilizer plant exploded in Texas and killed 14 people, for example. And an earthquake in China left 207 dead. There’s also the story of the arrest of three young men who raped a fellow student (unconscious) at a party, drew graffiti on her body and disseminated the photos afterwards. The young Californian, feeling she had no way out, hanged herself. This assault occurred on Labor Day weekend of last year.

There are more than one or two similarities between this young woman’s story and the girl from Steubenville’s. They’d been at a party with “friends,” they had been drinking, their rape was documented by photos and the multiple assailants were underage. The biggest difference is fairly significant. The California girl, Audrie Potts, has a family who’s fighting for her.

That’s not to say the Steubenville girl’s family didn’t. I’m sure they were supportive of their daughter and wanted justice as well. Whether or not they got the justice they deserved, I guess it’s up to them to answer that question. The Potts family, however, is demanding action—that the boys be tried as adults and a certain California law be changed by what Potts’ mother hopes to call “Audrie’s Law.”

There is a bigger picture here, as always. The media continues to cover stories like this, but they seem to avoid two questions. The first: does it really have to come down to someone killing themselves before any action takes place? Steubenville coverage made the young men who committed the crime look like the victims. Even in Potts’s case, the media is showing a large amount of skepticism as to why the family is being so vocal now, months after the fact. These are crimes that should have no expiration date, and skepticism makes it much more difficult for those who have been assaulted on the most personal level to be taken seriously. It shouldn’t take a noose to spur a new way of thinking.

The second question: what the hell are we teaching our kids? These criminals and these victims are young. Too young. In a world where everything is so interconnected, with a media so focused on being edgier, being sexier, we’ve forgotten why there are rating systems on movies, video games and television programs. I’m not blaming the media for how quickly our children are “growing up.” I’m blaming, to some extent, their parents. It shouldn’t occur to a 16-year-old boy, sober or drunk, to rape someone. It shouldn’t be permissible for a 16-year-old girl to get wasted. Truth be told, this behavior shouldn’t be condoned for anyone at any age, but people aren’t perfect. Children don’t make smart decisions. They’re not supposed to. Instead, they’re supposed to be accountable to someone, presumably parental units, until they’re old enough to think things through. And parents should be accountable to their offspring. Teenagers shouldn’t be making adult decisions—and mistakes—in a life that’s barely started.

I don’t want to live in a PG world. In fact, I like it R-rated. But there are issues, like treating rape as a serious crime, its victims as real victims, and its perpetrators like the criminals they are, that need to be resolved. I can’t be the only person out there who still thinks if a teenager wants to act like an adult, they best be ready to deal with adult consequences.

This is my last editorial as an editor for The Transcript. Instead of saying fond farewells and making snide comments about how I will not be missing the food, I am giving my last editorial to these girls, and to anyone who has been a victim of a violent crime, especially at such an age where life should be good.

Looking forward: What you can expect from The Transcript

In February, I wrote about why The Transcript exists and what we stand for as Ohio Wesleyan’s journalistic entity. While we do have financial ties to the university that keep us in print, we are an independent news organization, not a public relations service or promotional machine. This has been true since we printed our first issue in 1867, and it will never change.

Soon, though, a few things will. At the end of the semester, two of our most valuable editors—sports editor Heather Kuch, and managing editor, online editor and business manager Elizabeth Childers—will graduate. They will leave big shoes to fill, and the staff will certainly miss them. But they’ve helped us set The Transcript on a new path.

Over the past twelve weeks, the Transcript staff have done our best to pursue the truth and report it to the OWU and Delaware communities. We’ve published formerly untold stories that deserve to be heard, in-depth investigations of important issues, commentary on relevant events and topics that deserve editorial attention, and coverage of the incredibly active campus we call home.

This, first and foremost, is what you can expect from The Transcript. In the next semester and those following our pages will continue to be filled with the information Ohio Wesleyan deserves to know.
You can also expect to have more opportunities to give us feedback about what we do. Next semester we will have at least two open forums with the entire editorial staff to put faces to the bylines, answer questions and receive comments from the campus community about how The Transcript can serve it better.
Additionally, our online coverage will extend beyond the stories in the paper every Thursday. In the capable hands of incoming online editor Sophie Crispin, The Transcript’s website will become more interactive and feature content exclusive to the internet. You can also expect our social media presence to be bigger—you won’t be able to keep us out of your news feeds.

We also expect a less obvious improvement with the help of incoming business manager Anji Herman—more advertising.

It’s arguable that no one likes ads. They take up space and get in the way of the content that is the heart of our paper. But they have an indirect benefit. Advertising is The Transcript’s only revenue source besides the money the administration allocates to the journalism department, and that revenue is what we rely on to make our coverage as thorough and engaging as possible. Put simply, more money means more tools for us to produce content that further illuminates the stories we print.

You can also expect The Transcript to have a new look in the fall. The inside pages will become more consistent with the front-page flag with which we’ve branded ourselves since 2009 to create a more recognizable, attractive publication.

As independent as The Transcript is, we won’t be able to achieve these goals without you.

We exist for the benefit of Ohio Wesleyan students, faculty and staff, as well as residents of Delaware. We want to know when we’re not serving you as well as we could be. It’s our responsibility to hold ourselves accountable and live up to our journalistic standards in the first place. But we want to be called out and corrected when we need to be. We will do everything in our power not to create such situations, but if we slip up—as humans are wont to do—we want to know.

We’re also always in need of people to join us in these ventures. If you have any interest or experience in journalism, photography, web design, page design, video or proofreading, come to our first meeting in the second week of the fall semester, and consider registering for JOUR 378. We welcome anyone and everyone, and we’re always incredibly grateful for the help.

Journalism at Ohio Wesleyan has a bright future, and we see The Transcript as being an integral part of it. Thank you for your continued support and criticism. We hope you’ll join us for what’s ahead.

Noah Manskar
Editor-in-Chief

Sound Off OWU: What do you think about OWU Confessions?

Reporting in the face of terror: A journalist’s burden

By Spenser Hickey
Assistant Copy Editor

I first heard of the Boston Marathon bombing shortly after 4 p.m. on Monday as I scrolled through my Facebook feed after class.

A few minutes later, I learned that my cousin and his girlfriend, who both ran in the marathon, had left the finish line 30 minutes before the bombs went off and were safe and sound.

That immediate concern relieved, I then turned on CNN and listened as they tried to make sense of what had happened.

As mentioned in the above editorial, this was the first terrorist attack to claim American lives on U.S. soil since 9/11.

As with 9/11, in the immediate aftermath of the attacks, there were unconfirmed reports of more attacks—that additional bombs were found on Boylston Street, and that the JFK Library, also in Boston, had been bombed as well.

I wondered whether this was the first wave, if more attacks would soon follow.

As these thoughts raced through my mind, I began to write the story that now appears on pages one and two.
It was probably 4:45 at this point, and the governor of Massachusetts and the Boston police commissioner were giving a press conference.

Initially, I expected my story would be a short informative one, with details about the attacks provided by Boston police and some quotes from the press conferences.

I wrote a few lines down, then ate dinner, constantly watching the news, wondering if they would be reporting additional attacks.

Initially there were reports that two were dead and 28 injured, though the number would soon increase—at 5:10 CNN reported 49 were injured; at 5:14 they cited the Boston Globe and raised the count to 100.

Shortly before 7 p.m., I emailed my editor-in-chief, my news editor and my copy editor about the story I’d started. At this point I doubted it would run due to a lack of a link to the OWU community. I was mainly writing to help understand what had happened.

A few minutes later, I heard back that I should talk to OWU students from the Boston area.

It was at this point, about 7:05, that it hit me—I was reporting on a genuine terrorist attack. It was a deeply troubling thing to realize.

As a journalist, I dream of being able to report on real news and serious issues, but death and destruction are not things we relish writing about.

America had been attacked again—although whether it was from the outside or the inside is still unclear.
While the body count was much, much lower than 9/11, the images of people running in fear, of smoke billowing down city streets and emergency responders rushing to the scene were still terrifying to watch.
I focused my mind back on the task at hand, knowing that the story I was working on would be published, that this had to be done.

Before I heard of the bombings, my plan for the evening was to work on an upcoming paper; instead I found myself rushing headlong into the story.

I wrote it out of a desire to understand what was going on, how this had happened and to document the tragedy as it unfolded.

Shortly after 7, before I emailed several potential sources, I took a walk down to Blue Limestone. It’s a good place to go to when I’m stressed, and no story I’ve written has had more pressure than this one—not that the many of the others were stress-free either.

On the way there, I wrote out a draft of the emails I sent, mindful that those receiving them had just had a terrorist bombing in the area where their families live.

Then I just walked around for awhile, trying not to think about the two dead and many more injured or whether this would happen again in the coming days.

Eventually, after almost an hour, I walked back to OWU and got to work.

To my surprise, I quickly heard back from two Boston-area students who did respond to the questions I sent, and who both had friends at the Marathon and family in the area. Fortunately, all of them survived the attack unscathed, at least physically.

However, shortly before 9 p.m., the Boston police commissioner announced that there had been a third fatality caused by the blast.

Early Tuesday morning, we were notified that an OWU alum knew the family of one of those killed in the attack.

As a journalist, it’s my job to follow the news closely and report on major events, and I usually enjoy it very much. This week, though, it’s not been a pleasant job to have.

Amidst the reports of carnage, of maiming, of death, though, there was hope—stories of runners risking everything to go back into the bomb zone and help, or sprinting on to Mass General, two miles away, to give blood.

It is hearing stories like these that makes me proud to be American, and it is reporting on them that makes me proud to be a journalist.

Understanding the Boston tragedy

By Taylor Smith
Copy Editor

As an athlete, coach and all-around sport enthusiast, I see sports as an escape from the drama and stress of everyday life. Athletes, players, coaches, family, friends and fans all come together to participate and enjoy all the positive aspects of sports as an experience that can be shared by everyone and naturally brings people together.

But local, national and international tragedies also bring people together to mourn those lost and affected.

The Boston Marathon is one of the world’s most iconic sporting events; Although no world champions are named, it can be considered the World Series of marathon running, if it isn’t already. Held every Patriot’s Day, the third Monday in April, for the past 117 years, it has become a timely tradition full of athleticism, challenges, sportsmanship and fun that everyone in Boston, the running community and the sporting world can recognize as true competition.

This year’s Marathon Monday, a lot of what we have learned to love, cherish and celebrate about the event was attacked when two bombs went off, moments apart, near the finish line four hours and nine minutes into the race. The FBI is calling the attack an “act of terrorism.”

The attack killed three people, including an 8-year-old boy, and injured at least another 176. The three killed and most of those injured were spectators cheering and taking photos as runners finished the race on Boylston Street in downtown Boston.

The attacks on Monday mark the first deadly attacks of their kind on U.S. soil since the terrorist attacks that shocked the world on September 11, 2001.

I feel many do not know how to react when these things happen. Living in the United States, we’re not faced with these issues on a day-to–day basis. The same day, a bombing in Baghdad killed 31 people and injured over 200 others; but it received little coverage by the U.S. media, and by the end of the day the Iraq bombing story wasn’t even on the front page of the BBC website.

When news of the Boston attack first hit me, I didn’t think much of it—another possible terrorist attack. Whatever, those happen almost everyday around the world—but not here in the U.S.

I was close to the 9/11 attacks. I grew up within an hour’s drive of Washington, D.C., in Maryland; I was nine years old and in Mrs. Grim’s (yes, that was her real name) fourth grade class at Arnold Elementary when the attacks occurred. There were a lot of kids in my class and my neighborhood whose parents worked in Washington, as did mine. My dad was not directly affected by the attacks, but several of my classmates’ parents worked in the Pentagon.

Their careers, their work—their lives—were forever changed; but then again, so was everyone else’s, in one way or another. Fortunately, no one I knew directly, or through their son or daughter, lost their life that day. Then again, I didn’t know nearly as many people as I do today and, quite frankly, I was too young to comprehend the situation. All of my friends at local Boston colleges are okay, and from what I am aware of I do not know anyone affected by this tragedy.

So even though I have been through this situation before, I feel as though this is the first time I am experiencing an attack like this, even if it is not actually the first.

This year’s Boston Marathon brought together over 27,000 runners and thousands more volunteering, supporting or cheering for the event and athletes. It hit close to home and has re-instilled the fear in Americans that was implanted into our society 11 years ago.

Some people are already saying stuff along the lines of “Oh, only three people died and 100-plus injured. It’s nothing like 9/11.”

But it is. The attack should and will be treated as a tragedy and never forgotten as another “terrorist attack” against the United States.

The Boston Marathon, and large international sporting events like it, is never going to be the same again.

Countries, cities, sports organizations and Olympic committees have always prepared for attacks like these since the 1972 Munich Olympic attacks by the Black September Palestinian terrorist group.

But even with money, people and all available and relevant resources, it is next to impossible to prevent attacks like these from happening. London officials have already upped security in anticipation of Sunday’s London Marathon to try and prevent any copycats.

Almost everyone immediately developed quick reactions and quick opinions to the attack; I know my first immediate thought was, “I bet this was done by an amateur like the Oklahoma City bombing in 1995.”
But as expected, there were many who began to blame Muslims and the entire Islamic religion, and they didn’t use kind words to do so.

My Facebook and Twitter feed were flooded with statuses and tweets showing sentimental support for those affected and wising their friends and loved ones in Boston the best, which gave me some hope.
I did not see any of my friends post immediate hate against a certain nationality or religious group. But that doesn’t mean it didn’t happen.

One news reporter, Fox News contributor Erik Rush, tweeted shortly after the bombings, “Everybody do the National Security Ankle Grab! Let’s bring in more Saudis without screening them! C’mon! #bostonmarathon.”
After somebody responded to that tweet asking Rush if he was already blaming Muslims, Rush responded, “Yes, they’re evil. Let’s kill them all.”

Some are pointing out the obvious when blaming “foreign terrorism”—that the attacks occurred on Patriot’s Day, in a city best known for its history of revolutionaries and original thoughts of American freedom.
But that doesn’t mean it was foreign terrorism. We don’t have the straight facts and evidence to even begin determining who is responsible.

And even if it turns out the attack was the result of “radical Muslims,” that doesn’t mean the entire Islam religion and its more than two billion followers are to blame.

The Westboro Baptist Church announced on their Twitter feed, hours after the attack, “BREAKING: Westboro Baptist Church to picket funerals of those dead by Boston Bombs! GOD SENT THE BOMBS IN FURY OVER F** MARRIAGE! #Praise God.”

We all know the WBC is a little eccentric, has a cult following, misguides its members and can be considered a radical Christian group.

Normally we do not associate the WBC with the Christian religion. Then why do we associate all Muslim terror groups with the Islam religion?

Seeing attacks like the Boston Marathon bombing can easily make one lose a little faith in humanity.
One can sometimes only wonder, “Why would somebody do this? Over religion? Over hate against America? Because God wanted this to happen?”

These are the absolute worst reasons for us to attack one another. Seeing many trying to blame an entire religion, person or group really makes me question the way the world thinks and lose faith in humanity.
I know not everything will be the same again after the Boston Marathon bombing, just like nothing was the same after 9/11, but what does give me reassurance and faith in humanity is how the people at the scene reacted.

In the videos shown when the bombings occurred, you hear and see hundreds of people run not away from the attack site, but towards it, to lend a helping hand.

Boston’s and other nearby cities’ fire and police departments and emergency medical services lined up to help as soon as they could, clearing the area and transporting injured victims to the city’s hospitals.
There were even accounts of runners who had already finished but continued running to the hospitals to donate blood for the injured.

Support and help for Boston is pouring in from around the world. This attack didn’t just hit the U.S.; it hit individuals, families and communities from around the world.

The attacker or attackers who planned this event aimed to disrupt and tear apart society and cause harm to America.

What this year’s Boston Marathon will do is bring participants, volunteers, supporters and runners alike closer together than ever before.

Those who lost their lives and those who were injured will never be forgotten, and those that rushed toward the scene in the face of panic and disarray should be looked to as heroes and an example of the right thing to do.

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