Embrace the “o” of your own personal potential

Tiffany Moore

Transcript Correspondent

tpmoore@owu.edu

For many, the Hollywood sign is simply a famous Los Angeles landmark, but for a performer who appeared at Ohio Wesleyan Monday night, those o’s in the sign represent personal potential.

Tim Miller, who has taken his solo act around the world, likens those letters to Shakespeare’s notion of making the most out of theatre space, like the Globe Theatre of London built in 1599 by Shakespeare’s theater company and known as “The Wooden O.”

Shakespeare’s goal was to have his audience forget their surroundings as they immersed themselves in a play. Miller made a similar pitch, issuing a call to action for about 40 in the captivated audience at OWU’s Chappelear Drama Center to claim their potential.

In a presentation of his written works, Miller explored racism, homophobia and the fight for a better future. He also discussed his autobiography, “A body in the O” and sold signed copies at the end of his performance.

“I don’t want them to just listen to my story, I want them to be thinking of what’s a story like that, that [they’ve] felt in [their] life and if they got it then, maybe they’ll start telling it to other people or maybe that becomes a deeper knowledge of their own life,” Miller said in an interview.

A lot of Miller’s work focuses on marriage equality and the injustices that same-sex couples face in this country. Miller said his next goal is to bring more awareness to the climate crisis.

“I’m old enough that it may not affect me as much, but it’s going to affect you much more and it’ll affect someone whose four years old now more than you,” Miller said. “The idea of 100 years from now people not having this beautiful planet working, or just whole parts of the world being uninhabitable is pretty … what a horrible thing to have not done everything we could.”

Miller’s performance was filled with thought provoking moments, putting the audience on the edge of their seats as they listened to stories from the perspective of both a young and older gay male struggling to survive in a society where homophobia is ubiquitous.

OWU sophomore Aaron Eicher said, “It was cool to see and also made me think about what a performance is because it was just storytelling for an hour, but it still captivated you.”

OWU senior Ran Ye said, “I don’t have any of his experiences so he reminds me of a lot of new things … because something comes up in my mind and I haven’t thought about that before.”

Miller began performing at OWU in 2008. Most of his visits included workshops, working with about 20 students in writing an hour long piece of work over the course of one week. His latest performance was funded by the OWU Theory-to-Practice Grant program.

Tim Miller explores gay identities through performance

Performer Tim Miller. Photo courtesy of brynmawr.edu.
Performer Tim Miller. Photo courtesy of brynmawr.edu.

Tim Miller is a performance artist whose work currently focuses on marriage equality and addressing the injustices facing lesbian and gay couples in America.

Miller visited Ohio Wesleyan on Thursday, March 18 and performed a lecture-rant entitled, “Sex! Body! Self!”

Miller said, “My performances over the last several years at OWU, which have explored gay identity, marriage equality and immigration rights for gay bi-national couples, were breaking new terrain. For a long time my performances would be the only internationally touring show on the subject.”

This event was made possible by a theory-to-practice grant received by senior Ryan Haddad and professor of theatre and dance Edward Khan.

“I thoroughly enjoyed the performance, particularly the last one which was about his marriage because that occurred during a week in which I was doing a workshop with him,” Haddad said. “This was right around the time that the Defense of Marriage Act was overturned so he [Miller] went right away and got married.”

Miller said, “though Ohio remains one of only 13 states without marriage equality today, after the coming supreme court decision this June, I am sure the next time I land at CMH I will be arriving to an equality state.”

Miller said his performances have been presented all over North America, Australia and Europe in such venues as Yale Repertory Theatre, the Institute of Contemporary Art, the Walker Art Center and the Brooklyn Academy of Music.

According to his biography, “Miller has received numerous grants from the National Endowment for the Arts. In 1990, Miller was awarded a NEA Solo Performer Fellowship, which was overturned under political pressure from the Bush White House because of the gay themes of Miller’s work.”

Miller worked with OWU students for a week to put on an ensemble performance. This performance occurred on Saturday, March 21 in Chappelear Drama Center. Miller worked with students from the two classes, theories of performance and political/social cabaret and others.